Just Feel the Music…
Posted by sabridv
Itay Talgam, an orchestra conductor, has discovered that the secrets of good conducting shed light on leadership in general… and I can add that it is very relevant to teachers too. First, have a look at the video and enjoy the music.
Talgam opens his speech by saying that a conductor’s ability relies on just using a small gesture to create order out of chaos. A teacher’s dream come true! A finger-snap and all the students on task… Well, we all know that this is an impossible mission to achieve, so let’s try to figure out what is behind that small movement that creates a ripple effect.
The secret apparently has to do with finding equilibrium, not being authoritarian, and at the same time keep on being the authority figure. YEAH, we all know that… but how can we achieve that F***ING balance that is being preached everywhere in this new-age, zen era we are living in.
Talgam in his video shows us different styles of conducting, from which we can derive some practical ideas. Let’s start talking about Ricardo Muti’s style. He has a strong sense of responsibility. He wants to be so clear that he becomes overclear (what an irony!). There’s only one interpretation of the music and that’s HIS (we all have our little egos in there apparently)… If we transfer this to the classroom, it reminds me of the teachers who consider that it’s THEM the only ones that possess THE KNOWLEDGE. Knowledge is given, it is not a construction. It is not developed in the classroom. It is a finished thing, to be introduced in the student’s mind. Things have to be done, in the way they have always been done. There’s no room for innovation, and therefore, there’s no room for development.
Maybe, these teachers suceed in having quiet students, who follow their orders to the letter and repeat parrot-like whatever it is they have “taught” them. But, have they learnt? Is this the aim of education? Are we teaching the students or the book, as the third conductor presented by Talgam does? Do we want students who just mirror us and repeat our stories? or do we want to learn with them and create a trascending story constructing knowleadge together?
By taking into account the other conductors’ methods presented in the video, we can conclude that they believe the musicians need to have a voice too, which derives, following our metaphor, in students having a voice in our classrooms. We should just guide them and not give orders to them. Why? Because in this way we are really teaching them, we are giving them space to find their own way of doing things, of telling their own stories… As Talgam explains, this method without clear instructions works because it’s as if the musicians are on a rollercoaster. The forces of that process put the action into place. You know what to do and you become a partner. This experience is exciting for the players. The “teacher-conductor” is just there effortlessly enjoying the music.
But what if someone deviates from what he’s supposed to be doing? Then, the “teacher-conductor” enters in action. He is still a figure of authority, but he is not authoritarian. The authority is there, but authority is not enough to make people partners. The teacher should keep some control in the classroom, but not all of it. Let’s overcome our fears and start giving students more control … we may be surprised at the results (let’s allow them to solve their conflicts, choose the topics they would like to discuss in class, and so on and so forth). We may feel at the beginning that we are loosing authority, but that’s not true; we are becoming partners, we are creating together and sharing the responsibility of making the lesson and the course a successful one.
Little by little, step by step, empowering our students, we may get to the wonderful point of “doing without doing”… because
If you love something, give it away…